Yet more editioning – today I was inking up the third block in two tones of the same yellow, the idea being to introduce some depth to the scene and variety to the light.
Plenty of printmakers don’t do their own editioning. It takes up a lot of time which, one could argue, might be put to better use actually creating the prints. Personally, I always do my own printing as I’m a bit of a control freak/perfectionist (such attractive traits) and deep down I feel that no-one will be able to print my linocuts the way I like them done.
Successful printmakers often pay someone else to print their editions. Either they train up a printmaking graduate, sometimes offering free use of their studio facilities as part of the deal, or they use a professional print-editioning studio, which is eye-wateringly expensive.
The real benefit of employing someone to do all the repetitive work involved in printmaking, is that it takes a lot of the pressure off your shoulders, leaving you free to experiment (and to be honest, it can be difficult finding the time to try out new ideas.)
Unfortunately, I think I’d quickly get to the point where I’d be waving a sketch, done on the back of an envelope, at my editioner and asking them to make a print from it.
Meanwhile I’d have my feet up with a nice cup of tea, reading the paper. Actually, that sounds okay…
