On camera

So I had this rather brilliant idea – why not ask my middle son to make another film of me working at a linocut in the studio? Only this time I would actually speak some words (preferably wise ones) to camera.
Well, all I can say is it’s been a rather difficult few days. Who knew I had a voice like a guinea pig squeaking? Or that my hair looks like a bird’s nest from the back. And just don’t mention my elbows. Or my nose….
Anyway, putting aside my battered vanity, here’s a short excerpt:

Urban beauty

So here is my latest linocut – a view of the Croydon Underpass. I know it’s not particularly impressive but I’ve always been fond of it as a typical piece of sixties municipal architecture.
Even the Wikipedia entry is modest – the most they manage is to say is that it’s quite near to that other neglected gem, the Croydon Flyover.
Anyway, as I’d found this one a bit tricky, I decided to give the Vehicular Art a bit of a rest.
Until the other day, that is, when I saw a very promising stretch of the South Circular….



Great prizes to be won at National Original Print Exhibition – including an editorial in Printmaking Today and £1000 award from the Chelsea Arts Club. Plus a chance to exhibit at Bankside Gallery, right next door to Tate Modern, on London’s Southbank…
Submission ends at 6pm TODAY!!

Wrestling with cars

Lately I’ve come to realise that cars and caravans (especially caravans) are boring, ugly and completely devoid of any elegance.
I have had – and you may be ahead of me here – a difficult few weeks wrestling with my Croydon Underpass linocut but I think I’m ready to edition it now. At last…

10341480_10152191946771603_7924385235473399314_n 10447729_10152159832751603_2322514193867211631_n 10460107_10152143713806603_6165266817711305160_n 10505542_10152191945811603_2078668247977599323_n-2