Post Exhibition Blues

So now it’s all over – the show is down and finished.
It has been a tremendous focus of energy for the last couple of months.
For instance:
Endless emails flying back and forth.
Designing and printing the invites, posters and flyers.
Allocating jobs and drawing up the rotas for sittings.
Organising the private view.
Choosing the hanging team – decisiveness being a key attribute, no ditherers allowed.
Getting the sales desk together – cash box, credit card machine, invoice book.
And so on and on – you get the picture….
Then there’s the small matter of keeping a disparate group of artist-exhibitors happy and still talking to one another at the end of it all. I’m thinking of those little niggles that can become open warfare before you know it.
For instance:
The polite but steely comments to a fellow exhibitor on how much space that particular piece of work of theirs takes up (less than polite when out of ear shot, obviously).
The jostling for the best wall spaces and then discussing who has crammed their work in (to the detriment of said work, obviously).
The all important question of who will sell and what (it doesn’t matter how friendly we normally are with our fellow exhibitors, a great deal of surreptitious totting up goes on in the vicinity of the sales book, again obviously).
Oh, the drama of it all – I love it…..

Last Weekend at the Oxo Gallery


After three busy weeks, it is the final weekend for the London Printmakers exhibition at the Oxo gallery.
Here are a few photos of last Sunday, when I was invigilating the show with my colleague, Karen Keogh. It was very busy all day. As the gallery is right on the South Bank, between the London Eye and Tate Modern, it consequently has a tremendous footfall. Lots of people pass by and just seem to drop in (and hopefully then buy something).
Anyway, if anyone is in the neighbourhood, please come and say hello….

Drawing at Kings Cross


Kings Cross train station is Grade One listed, although you wouldn’t know it – the building has had a lot of really rubbishy work done to it over the years.
Although it is going to be refurbished soon, it still has a certain grim charm and I wanted to record it before it got tarted up.
St. Pancras station, which is right next door, has had the full heritage treatment- cleaned, buffed and polished to within an inch of it’s life. The result is undoubtedly very beautiful but I think I prefer the rather down-at-heel Kings Cross….

private views

Alas, I have a couple of private views to go to in the next couple of weeks, one of mine, and one I’ve been invited to. I always feel I have to go, although I don’t enjoy them.
For a start, asking people to your pv is a minefield. You don’t want them to feel any obligation to buy anything – they probably wouldn’t come if they thought they’d be subjected to a hard sell. But if they don’t buy, then really what’s the point? Just a bit of moral support, I suppose, and a knees-up for one and all at your expense….
Even if it’s not your own exhibition, private views can still be a bit of a nightmare. If they’re busy, then the artist friend or gallery owner who’s invited you only has time to wave at you before going off to schmooze the next (proper) customer.
Then you’re left there looking at the work (which takes 15 mins max) and nursing a warm glass of something, which should be cold, all the while trying to look interested and full of admiration.
But believe me, it’s a thousand times worse if no-one turns up…..

Originals 10

I have two linocuts on show at Originals 10 at the Mall Galleries in London. It’s on from Thursday 25th March until Saturday 3rd April, 10 – 5. Admission £2.50, children free.
Originals is the annual contemporary printmaking show and as I was up in town today, I popped in to see it – there really is a lively and varied range of work.
It’s well worth a visit, especially as the Mall Gallery also has a bookshop and a little cafe – what more could you ask for? (Not at all sure about the new frosted glass cubicles in the loos, though….)