Work going in the van…
Ready to start….
One wall done…
Nearly finished….
All done – time to go home….
It’s October again and I have a stack of free tickets to give away for the Affordable Art Fair – it’s on from Thursday 25th to Sunday 28th October in Battersea Park.
When that large cardboard box full of tickets, maps and leaflets arrives in the studio, we all know it’s time for our annual collective panicking. Where’s my hanging plan? Have I got enough new work? Have you seen the framing gun? Have I got enough postcards? Where’s the roll of acetate? Who’s stolen the browsers?
And I’ve decided to add a new element to this fevered atmosphere by suddenly switching from my usual black frames to white. (Obviously because I felt I needed more stress….)
Anyway, the free tickets are for either the Charity PV evening (Wednesday 24th October) or the Gala PV evening (Thursday 25th October). The tickets will also get you in for free at any other time if you can’t make it on either of those nights.
Email me if you’d like one – and let me know your address and which day you’d prefer (or if you don’t mind because you’d like to come at the weekend…)
I’m often asked to donate work and it’s always for a good cause – support for the art department at a school, charities, an open access workshop, even the local art gallery.
Recently I was asked to donate a work for a charity art auction. I don’t know this organisation, they have never shown any interest in my work and yet they feel comfortable asking me to donate to them – for no reason except that they’re a charity. The problem with this is that artists never make much money and yet they’re always being asked to give up their art, time, materials, etc. for free.
For example, a demo or a talk will involve giving up a working day in the studio, in addition to the preparation time. I’m often told that, in lieu of a fee, I may make some sales – yes, possibly but in my experience most people aren’t there to buy work but to learn.
And when donating a piece to a charity auction, they often say it will raise your profile – well, not if I’m giving the work away for free. What gallery would be happy to work with someone who does that? And what if the artwork sells for less than the going price or even not at all? What does that say about you?
A colleague of mine donated a framed print to a fund-raising auction recently – it didn’t even raise the money that she’d spent on the frame. She’d have been better off selling the work for the full price, and donating some of the money back to the charity. And this all took place in a very prosperous part of London, with lots of well-heeled attendees.
And who was the lucky winner who got this work at a knocked down price? Well, clearly it was someone who could afford to buy the work at the full price. And yet the idea persists that the major donor in this scenario is the buyer of this bargain, and not my artist friend…
And what about the charity? All the people who work there are no doubt on a salary – are they being asked to donate a days income to the cause, like me? And I’m pretty sure that the marquee firm, the catering company and the printers of the catalogue or programme will all get their money. As usual, it seems that everyone associated with the event will get paid – just not the artist.
I know it’s difficult to say no when asked to contribute to a fundraising activity, but working in the studio provides me with my only source of income and if I’m not there, then my income suffers.
If it’s an organisation that I’m involved in, or a cause I am particularly sympathetic to, then of course I’m more than happy to help out.
But otherwise, I try to imagine that I’m a dental surgeon being asked to do a root canal treatment for free, and then I say sorry but no.
Just keep channeling that inner dentist…
We at London Printmakers are having a new exhibition at Bankside Gallery (next to Tate Modern). Here’s the blurb:
Anyway, it opens on the 5th September and the Private View is on Thursday 6th September 6-8. Please come along and say hello (and if you do feel the urge to buy something, please make sure it’s mine…)
There’s the usual mild panic in the studio (or in some cases, not so mild) as we’re busy getting ready for our new London Printmakers exhibition, which is opening next week at Bankside Gallery on London’s Southbank.
We’ve decided to call it ‘Where’s the Original?‘ as that’s a question all printmakers get asked. The idea is that we try to explain how the print itself is the original and that there is no other artwork (a painting, for example) from which the print has been taken.
It seemed like a good idea at the time but it’s been more difficult than I had anticipated, trying to provide an insight into how I arrive at the finished print, and then finding a way to display it on the walls of the gallery, in a clear and visually interesting manner.
In the end, I decided to frame up a working drawing (above) and a series of printing stages (below), neither of which I’m entirely happy to inflict on anyone. Still, someone always has to suffer in the name of Art and it might as well be the viewer…..
Well, I’ve had an exceptionally busy summer so far, what with one thing and another, and I’ll admit that some things have been neglected (this blog would top the list, after a social life, sleep, and fun.)
And the studio is looking a bit of a mess – I’m sure it won’t look so bad if I go down the other end.
Nope, not much improvement – perhaps a little light housework is in order…..
This is my admin corner – but somehow it’s been overrun by creeping printmaking essentials/rubbish.
To say nothing of the creeping drink cans – but at least they’re organic, I think virtuously….
Perhaps I’ll make a start in the inks department – it is looking a little disorderly, after all…..
That’s better – I’m wondering if the hoarding of empty ink tubes is just a little pointless?
A big sack of waste paper for the recycling bins – let’s hope the bottom doesn’t fall out when I lift it…
And here you have it – a clean, tidy, organised space – and that’s it for another five years…
Here is the usual small number of pitiful photos of the Meet the Artist session yesterday with Angie Lewin.
Despite being on what felt like the hottest day in a decade, it was pretty busy – great to meet such lovely people….
Oh dear, matching tops – we must remember to consult on our wardrobes next time.
Thank goodness I made a last minute change from jeans to white trousers, otherwise it would have been really embarrassing…..
Angie discussing Brenda Hartill‘s collographs with some visitors. That’s one of life’s great pleasures, discussing another artist’s methods – how did she do that?
And that’s it – I’m off to the Royal Academy Summer Show for Varnishing Day soon and I really must remember to take lots of photos….